Album Review: PETBRICK Liminal

Album Review: PETBRICK Liminal

People you may not know petbrickthe bipartite that doubles the gender, commanded by Wayne Adams and Iggor Cavaleramay not know what to expect seeing these two names together. One known for its iconic extreme metal performances behind the kit and the other for its heavy electronic focus, the two things at first glance might not seem to compute.

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injunctiontheir second LP, it seems it couldn’t be more appropriately named given the circumstances; occupying the space between where two worlds converge, petbrick are right in the middle of bringing us something huge and heavy, with a lot borrowed from both sides of the coin. It’s helpful, then, that the opening track “Primer” also has a perfect name; the rhythm-building electronic music blasted in half by a sonic barrage of high-intensity drums and bass that gives us an overwhelming taste of what this album is all about.

“Arboria” continues, testing the walls with hammering blows Igor knocks away your kit in an unmistakable Grave style. The pendulum swings the other way on “Pigeon Kick,” an unadulterated bit of old-school drums and bass before “Raijin” delivers a long, spooky synth festival that’s very pleasant to the ear, but perhaps not so much on point. right, slowing down a cliff following a high-energy trail.

injunction is heavy on collaboration with artists from a variety of genres. Our first proper lyrical intervention comes courtesy of doom rap artists Mr Goat and truck jewelrythat add stuttering bars to the pulsating bass of “Lysergic Aura” to great effect. “Dambella” floats through a hauntingly beautiful soundscape before dropping an anvil on you near the end, while “Ayan” is another purist effort that ends beautifully, continuing that build flow.

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Converge vocalist Jacob Bannon brings a raw intensity to “Grind You Dull” that fits the name perfectly, the layered, electronic-flavored singing, a relentless onslaught of force that blends with the music to turn everything before to dust. The album’s backend gets noticeably heavier, in fact – “Chemical Returns” brings Igor back afloat with some drum work that will skyrocket your alert levels and likely scare your cat while famous Neurosis guitarist and singer Steve von Till lends its talents to the sludgy, doom-infused ending “Reckoning,” a claustrophobic, completely fitting finale that showcases much of the best of both worlds.

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If you like your drums loud, your bass loud and everything louder then petbrickof injunction have you covered. This is a genre mashup of the biggest and boldest style; the machine guns at the end of knight‘s pulses bring a lot more to the table than any drag-and-drop drum track could ever hope for, while the massive metal tracks scattered across the latter part of the album work wonders. If you’re listening from a purely metal perspective, there’s probably less to get excited about than you expected, but anyone with a passing interest in heavy drums and bass, hardcore styles, and that metal tone should give it a try.

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